Posts Tagged ‘media’

A Cure For Pessimism?

August 14, 2019

DeathWarrant-RGB.jpg

Amidst the daily deluge of corrupt politics, death and disaster in the mainstream and social media feeds, I sometimes imagine being a passenger in the boat steered by the mythical Charon whose eternal task was to guide newly deceased souls across the dark River Styx* to their destination in the Underworld. These journeys were long and fraught with terrors, but these were a mere preview of what lay ahead in the Land of the Dead.

Medieval Woodcut Print from Johannes Grüninger's 1502 Edition of the Aeneid 

Photo Credit: danielgoodantiquarianbooks

Of course I’m being a bit melodramatic, yet keeping our heads above those fearful waters is a challenge we have faced for millennia as we watch and often suffer as world leaders cycle their countries through endlessly alternating phases of constructive good and deconstructive evil. As I suggested in my previous essay, The Nature Of Evil, (https://imaginarius13.wordpress.com/2019/05/06/on-the-nature-of-evil/), we are now firmly embroiled in the toxic immorality that informs evil, courtesy of numerous would-be dictators, their sycophants and their noisy ‘populist’ governments. I am not a scholar of history or politics, so I can only write as an aging observer regarding the inevitable phenomena of life and death that occur in tandem with both.

Armchair philosophers often post sentimental images and feel-good bon-mots at online venues in contrast to proponents of subcultures that revel in the certainties and vagaries of death proudly displaying memento mori as death’s head tattoos, arcane body modifications, clothing and jewelry. Ironically, I find this demographic interesting because I suspect that life is actually being celebrated here with such dark symbolism acting as an apotropaic ward against death.

Much is made of Death and the idea of it in the collective imagination whether it arrives via age, disease, accident, murder, ‘acts of god’ and nature or war and punishment for criminal acts. We variously honor it, celebrate it, welcome it or mourn for those who succumb to it via any of those vectors.

The Gaming Of Life & Death: from AIRPLAY: A Catch Of Jugglers (Imaginarius Editions, 2018)

 

The fear of death has been anthropomorphized to enhance or accompany the human dread of its occurrence. Legends and myths (like the illustration here that visualizes an ancient Egyptian concept of cosmic judgment) have been formulated to explain and assuage fear of it as though it were something that was subject to human influence or control. When it isn’t exploited for political gain, religion, too, helps us cope while encouraging us to live and live well.  

Even those who choose death over life when life becomes too challenging to endure overestimate their own importance as though their own death will matter beyond someone’s casual perusal of a printed obituary or a silent pause in subsequent conversation. Why? Because Death is indifferent; to wealth, fame, brilliance, youth or age. It merely has a job to do. And that job is to fill a blip in time, to punctuate the continuum, the vast, incomprehensible cosmic thread that serves as the referee between order and chaos. 

But lest you think my observations are meant to be discouraging or depressing,  I should note that any discussion of death must include the rationale of those who believe in the concept of a life after life, a ‘ world to come’ so to speak. Having read several ‘testimonial’ accounts (from an array of writers, including a well-respected neurosurgeon), that offer rational-sounding evidence of such a realm, I can only say that I am comforted to imagine that death is not the end of us and that the unknown is not necessarily to be feared. 

So, while many notable religious sages have put forth the idea that each day is a new chance to correct our errors and enhance our legacies, these words alone will not cure the world’s pessimism. In each of our actions, we have the ability to choose between positive and negative thoughts and enact behaviors that characterize either of these if we make ourselves aware of the consequences. 

I am only one person and have no medicine or cure for what currently ails the world, but I do know this: our existence will have merit if we can compartmentalize the world’s ills and choose to live, laugh, let live and be kind to all who aren’t or who don’t seem to want it.

If I can manage to make those sentiments complement the creative work to which I’ve devoted my life, well, so much the better. 

*https://mythology.net/greek/greek-concepts/river-styx/

Practical Matters: Illustration As Product?

March 14, 2017

In July of 2010, well into the consequences of the 2008 economic collapse, I posted two consecutive essays* that explored illustration-related issues. One questioned the relevance of the illustration industry in the face of  those changes with many print and advertising venues giving way to online presences. Along with the ascendance of gallery and aggregate stock image/portfolio sites, my agent at the time decided to branch out into the product licensing marketplace with a plan to enhance her own fortunes with those of the illustrators in her stable. So the other essay** mused on whether such a ‘marriage’ could prevail.

In short, despite working intensely on many collections of designs for product applications and attempting to understand the mechanizations of the licensing industry, the enterprise was not entirely successful for me. However, the experience did force me to realize two things: my own naïvete in that area and the fact that individual artists stand little chance in the marketplace against corporate licensing giants like Disney, Mattel or Starbucks. To wit, I was told at an international trade show by a licensing agent that although he loved my work, he would not even consider doing business with me until my ‘brand’ had generated several hundred thousand dollars in revenue. Huh. What a classic chicken and egg situation!

Though my agent and I have since parted ways, I still believed in the integrity and originality of my work and thought that one day I might try again to generate life for my images beyond paper and print. I knew that for me, full retirement was not an option ( and that after a long freelance illustration career, I still had the drive to create new things. I also knew that age-wise, holding a full-time job was also not an option. Therefore, I had to find a way to generate income from my work. To that end, I embarked on a new venture: I decided to write, illustrate and publish my own books***. This is an ongoing activity that I think will always inform my work.

Today, in 2017, we are facing other issues regarding the ever-expanding online opportunities with their associated intellectual property concerns and the difficult challenge of attracting as many eyeballs as possible amidst the unbelievably vast competition out there. Much as I had held to the notion that licensing my images would compromise my artistic integrity by ‘selling out’ to commercial interests, I now see that to some extent, becoming business savvy is necessary to economic survival. It requires that we understand the strategies of these new corporate giants. They operate primarily by advertising revenue and tempting artists to post their images for ‘free’ with the future promise of a tiny percentage of market share if and when their images applied to products achieve any sales. Like any business adventure, it is risky, both to creators and site owners. But in my opinion, the greater risk is assumed by creators who opt for compromising their intellectual  properties and code of trust when dealing with a business partner simply because we are not directly privy to their accounting practices.

Still, the old adage of “nothing ventured, nothing gained,” often drives participation in new ventures. This is especially tantalizing in an era where the possibility of becoming internationally known for one’s work is but a few keystrokes and/or a credit card away.

However,  as the ‘Practical Matters’ portion of this essay’s title suggests, I have made every effort to copyright and /or trademark (as appropriate) any design I’ve released for commercial use. Though some expense may be involved, the urgency of these efforts cannot be overstated. Through my activities on the boards of the Pittsburgh Society of Illustrators and the American Society of Illustrators Partnerships I have become aware that under the current administration, the copyright environment in Washington DC is undergoing some far-reaching changes in favor of privatization of the copyright office. These changes will allow them to more broadly define the concept of public domain; a development that ultimately will not be friendly to creators. With the very dodgy security of the web, it’s now trivial to grab images from sites with impunity. It follows that using these images for profit comes with little consequence to the infringer. Protecting your intellectual property is essential as there have been cases where artists engaging in lawsuits against unethical corporations or individuals to reclaim their intellectual properties have taken considerable financial hits in the process. Though not an encouraging circumstance, it is a cautionary one.

Yet despite the potential pitfalls, the artistic spirit continues to be indomitable since most of us live on hope. In that light, with copyrights in place, I decided to reboot my licensing efforts when an illustrator colleague raised my awareness of a some potentially promising opportunities. I have since sold many designs for greeting cards at Greeting Card Universe ( http://bit.ly/2mWRXXI), have a t-shirt available at my Magic Eye Gallery (http://bit.ly/2mp1XW5and am now engaged at Society6 (https://society6.com/imaginarius13) with twenty unique collections of designs for an array of personal and home products. Whether this will all work out, I can’t know, but one thing is certain; if you understand the risks and throw enough effort at the wall, something’s bound to stick!

Here are a few selections from the Imaginarius Shop at Society6:

Alchymy Collection: Firebird Wall Tapestry                                                                                                                                              

 

 

 

 

 

 

 

 

 

The  Cluckfosters’ Step Out Collection: Clock

Sea Swans Collection: Shower Curtain with Towels & Bathmat

Sushi AlaCarte Collection: Allover Print T-Shirt

Alchymy Collection: Elementals Duvet Cover & Comforter

Salisbury Tiles Collection: Throw Pillow & Leggings

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tudor Vines Collection: Duvet Cover, Comforter, Throw Pillow, ToteBag, iPhoneCover

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*https://imaginarius13.wordpress.com/2010/07/12/practical-matters-is-illustration-still-relevant/

**https://imaginarius13.wordpress.com/2010/07/16/practical-matters-2-to-license-or-not-to-license/

***http://magiceyegallery.com/BookPage.aspx?id=8 (see all books under pull-down ‘Book’ menu)

Thoughts On Week 2: Notes From London: Above & Below @KICKSTARTER!

April 16, 2015

One week has passed since my Kickstarter book project launched. It’s been quite exciting, first, being chosen as a Kickstarter Staff Pick and of course receiving encouragement and many kind words from friends around the world. To date, Notes From London: Above & Below is now at 16% of its $3,000 goal, with 23 days until the campaign ends on May 10 at 3:20PM.

For the duration of the campaign, I’ll post illustrations from this unique book here and at my Kickstarter page which you can reach from this link: https://www.kickstarter.com/projects/1330347473/notes-from-london-above-and-below

You are invited to comment and /or post your questions and of course Pledge Your $upport to help bring this creative endeavor to life!

I look forward to hearing from you and thank you in advance for your contributions!

Notes From London: Above & Below is a very special book for me. It not only distills many of the strange and wonderful experiences of my travels to London from 2002-2009 but also marks important milestones in both my creative development and family dynamics that are reflected on my dedication page.

So, without further ado, here is the illustration called Lillith@Shoreditch. Spotted at Apostrophé, a tasty, inviting café in East London’s media district, this unusual person and her ‘pets’ was a drawing just waiting to happen. The annotation that appears next to her explains it all…LillithShoreditch