When we feel the need to embark on a new creative project, we don’t always have a firm idea for it in mind. Even as we consider possibilities, these can overwhelm us to the point of inertia. At such times, surrendering to indecision is tempting but not necessarily the endgame. Then, when we least expect it, life makes decisions for us. The following is a reflection on balancing the burden of choices from a personal and creative perspective.
As a freelance illustrator, indecision regarding the subject of an artwork was rarely an issue because I’d grown accustomed to working on assignment where the parameters of a project were usually stated upfront by my client. Instinctively, I felt that I might not always be doing assignment work, but couldn’t know why. Perhaps health issues or other unforeseen events would determine that. It wasn’t until after the US economy tanked in 2008 that I was compelled to begin the next phase of my career.
At that time, I’d been working on a long-term dream; a unique personal book project called Between Heaven & Earth: An Illuminated Torah Commentary. Following its well-received publication by Pomegranate in 2009, I was invited to offer many presentations and book signings. At these events, I was surprised to find enthusiastic demand for more of such projects (Books of Psalms, Prophets or a Passover haggadah, etc.), but I was also haunted by the frequent question: “So what will you do next?”
For me, this query provoked some anxiety because after devoting five + years to Between Heaven & Earth, I was too physically and mentally exhausted to consider my next endeavor. Yet I had the feeling that my work in this genre wasn’t finished. I had casually entertained the idea of building a personal and professional legacy around books that would explore several Biblical tropes, but doing so seemed a daunting and distant goal since it wasn’t yet clear what that legacy should comprise or how it should be framed. I only knew that whatever I did would have to reconcile my own spirituality with my secular worldview. As I wondered whether an idea for a book, a series of drawings or a synthesis of both could teach me how to do this, I remembered an aphorism attributed to the Chinese philosopher Confucius that might yield a clue: “Study the past if you would define the future.”
So I decided to re-visit the notes and sketches in my collection of journals. These little books span decades, but for a strange reason, have gathered no dust. While regularly writing and drawing in new journals, I occasionally re-read old entries and add new insights to them, flattening time as I maintain a ‘dialogue’ with my younger self. This virtual orchard of back-burner ideas has often been amusing, thought provoking and full of choices for potential projects.
However, the process of choosing one among them was far from simple. It would be impossible to predict whether the idea I chose would become viable or have any market value without investing serious time, funds and effort. So at this stage, all I could rely on was my intuition.
On one of these forays, I came across a note that was made during my research for Between Heaven & Earth. I had been looking into incunabula (early printed books and came upon a reference to a 17th century miniature prayerbook. This was a Me’ah Brakhot (100 Blessings) and contained Hebrew blessings that originated in the time of the Biblical King David. According to my journal, I had searched for and found a copy of this beautifully illustrated little jewel and noted that I would like to try my hand at a modern version of it.
Back in the present, I decided that such a project would not only employ all of my skills as an artist, writer, editor, designer, it would also fit the requirements of my legacy; and so I began to envision the book that would become An Illumination Of Blessings.* At this point, I was faced with making two other choices. One would determine the book’s fate upon completion; the other would be germane to its essence.
First: should I submit this book to mainstream publishers or self-publish? Both were risky in their own ways. The former, with its often-lengthy approval or rejection times, traditionally offers a financial advance but it also entails editorial and marketing caveats that could entirely change the nature of this project. The latter would require fundraising skills (which I hadn’t yet developed) but it would also allow more creative freedom. Ever the sucker for a new venture, I chose the latter; a choice that would let it become a successfully funded Kickstarter project.
Second: since I initially planned to self-publish this book and wanted it to include all 100 blessings, I did not set a timeline for its fulfillment. However, when I looked into the requirements for a crowdsourcing project, I learned that for a fundraising campaign to maintain momentum, the optimum timeframe would have to be no more than a year. So in a sense that choice was made for me. Of the 100 blessings (which were both mundane and obscure), I decided to select 36 that were more universal in nature. Guiding this decision was the notion that if this book were successful, it could generate two more volumes that would complete all of the blessings.
During the learning curve of my Kickstarter campaign, many other choices presented themselves and I was often intimidated to the point of discouragement. Still, I chose to forge ahead for the reason that will conclude this reflection.
As I became immersed in creating the illustrations and text for this project, the blessing for wisdom offered a subtle insight. It was originally called ‘the wisdom of the rooster’ because we are not thanking God for our own wisdom per se; we are acknowledging His wisdom in creating the rooster with the ability to recognize the difference between night and day. This told me that blessings are more than ritualistic behavior. They are a call to mindfulness of both body and spirit beyond the environs of a place of worship.
Because I had always recited blessings nearly by rote in synagogue services, this idea was an eye-opener; it helped me to understand that we are truly blessed by our ability to choose. By paying close attention to each choice before us while considering its multi-layered consequences we can learn to counter indecision. In this way, our choices become less of a burden and more of a way to achieve a nuanced balance in our lives as we decide how to frame our own personal and professional legacies.
*Images and detailed essays from it were posted here at Imaginarius throughout 2014.
The Seventh Blessing: For Life & Love
September 25, 2013The Seven Blessings, or Sheva Brachot are a lovely old tradition, each one recited under the Chuppah (Marriage Canopy) by chosen friends and family at Jewish weddings. The Seven Blessings begin with the blessing over wine (‘pri hagofen’) followed by praise and gratitude to the Source of Life for our creation, for our existence and for our ability to thrive through time. They also address the binding of the couple, wishing them a life of love, joy, peace and friendship from the Biblical perspective; that their union should mirror the happiness of the first couple in the Garden of Eden. Finally, the couple is made aware that as they rejoice in each other, their union will also bring joy to the world . Rabbi Aryeh Kaplan suggests that Jewish weddings reflect the giving of the Torah at Mt. Sinai symbolizing the wedding of Heaven and Earth.
For the eleventh blessing in my book, An Illumination Of Blessings, I initially attempted to work all seven blessings into the illustration, however after further research and several iterations, I came to the conclusion that the seventh blessing really encompasses the other six and is therefore essential. This idea was suggested by an interpretation in Kabbalah which explains how each of the seven blessings corresponds to seven of the sefirot, or the energies that are the foundation of Creation.
Although there are actually ten sefirot, the interpretation posits that the three remaining sefirot do not correspond to their own blessings because two of them, Keter (Crown representing ethereal consciousness) and Chokhmah (representing Wisdom) are contained in the sefirah of Binah (Understanding) and the last one, Malkhut receives all of those above and before it. The Hebrew language in the Seventh Blessing also contains ten words or synonyms for happiness, peace and friendship, all of which lead to joy. In this sense, it corresponds to all ten sefirot as well as the ten phrases by which the world was created and the Ten Commandments given at Mt. Sinai. These ideas prompted me to place the letter Bet (for Binah) in the space above the Chuppah for these values must guide all that we do. The commentary at the end of the book will provide explanations of the symbols that appear in the illustration.
Shown above is the finished illumination for the Seven Blessings and below is one of the iterations.
As always, your comments and questions are welcome.
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