When the shadow of a rainstorm has passed and we are able to witness a rainbow illuminating our corner of the world, the most common association of this phenomenon in the Judeo-Christian tradition is with the legend of Noah’s Ark. Schoolchildren are routinely taught that a rainbow symbolizes divine forgiveness for human global corruption and the divine promise to never allow another cataclysmic flood to wipe out nearly all of the life on this planet.
Since that anti-diluvian era, every culture has created their own idea of the rainbow, endowing it with backstories and attributes that range from magical to mundane. Scholars, musicians, artists and poets have made much of those characteristics as have social activists, employing rainbow colors to promote their agendas of social change through racial, gender and sexual equality.
As I considered how to illustrate the idea of a rainbow for this blessing, I recalled a wonderful tertiary (triple) rainbow that I had seen over the east end of Pittsburgh in the late 1990’s. Its three overlapping arches stretched from Squirrel Hill to perhaps somewhere beyond the North Hills, but of course that endpoint remains a mystery. Regretfully, that was before the convenience of iPhone cameras that could easily record it. Nevertheless, I still remember that it appeared in a sky of an unusual grey-green color which made it seem so much brighter.
Suspended in the majesty of that moment, I didn’t care that science views the colors of the rainbow as wavelengths of light traveling at particular frequencies or that their visibility depends on our vantage point relative to the sun’s position and the presence of sufficient raindrops to refract and reflect its light. Even Sir Isaac Newton’s decision in 1672 to divide the spectrum into seven colors seemed frivolous, especially since it was based on the ancient Greek philosophy positing a connection between the colors, the musical notes, the days of the week and the seven planets in our solar system that were known at the time. From my perspective, that rainbow just seemed too magical for such mundane explanations. And so I began to look into the more subtle interpretations that have found their way into our collective understanding; which made thinking about rainbows in terms of Kabbalah, or Jewish mysticism more appealing.
Sifting through my reference collection, I listened to the voices of sages and scholars through the centuries absorbing their complex commentaries on Bereshit/Genesis. Among these were citations in the Talmud (Hagigah 16a) and in the Zohar (1:71b) which state that one who gazes too intently at the rainbow will compromise his eyesight. Though several opinions are given for this consequence, I found the rainbow’s connection with Ezekiel’s vision of the Divine Chariot (merkabah) most intriguing: ‘Like the appearance of the bow which shines in the clouds on a day of rain, such was the surrounding radiance. That was the appearance of the semblance of the Presence of the Lord. When I beheld it, I flung myself down on my face…”*
I understood these comments as warnings to remain humble in the presence of holiness which further readings alluded to the presence of Shekhinah or the feminine aspect of the Divine. She is the accessible intermediary for Its sefirot** whose many symbolic attributes include their colors which correspond to our perception of the rainbow.
Then there were often fanciful folktales stemming from commentaries on the Book of Genesis whose narratives were both cautionary and poetic. Louis Ginsberg, in his Legends of the Bible, lists the rainbow as one of the ten extraordinary things*** that came into being in the twilight of Creation, although it was not meant to be seen until the time of Noah when the dual concepts of justice and mercy were introduced as the Divine remedy for transgression and repentance.
Such stories suggested to me that the Torah is in itself a rainbow whose colors reflect our spiritual character and mandate, and second, that we, as imaginative creatures, ever curious about who and why we are, can assign whatever significance we wish to any of the natural phenomena that occur on this planet.
On the tail of these thoughts, the image of a tallit flashed in my mind’s eye. I recalled from my studies that the tallit, worn during prayer is often compared to Divine wings which protect us via G-d’s love and commandments. Also, in Jewish tradition a bird is the metaphor of the Shekhinah who comforts and protects Israel during the centuries of exile. Though I do not yet wear one, I liked the idea of being wrapped in a tallit to evoke Shekhinah since it lends credence to the recognition of the sacred feminine.
I then began to wonder about the stripes of a tallit, or prayer shawl and whether they might serve as a rainbow metaphor, even though they are traditionally black in color. As an artist, I knew that theoretically, the color black contains all the colors, so it wasn’t much of a stretch. But then, I came upon a story that Rabbi Zalman Schacter- Shalomi tells in his book, My Life In Jewish Renewal (Rowman & Littlefield, September, 2012) when he explains the significance of his specially made rainbow tallit. His intention was to wear a physical meme as a reminder of Creation and complexity of our world in the light of G -d’s unity.
Eventually, these concepts and my memory of that tertiary rainbow crystallized in my imagination and led to the imagery which accompanies this blessing for the rainbow.
And so, I decided the Shekhinah would be the focus of my illustration. Although I have often interpreted her in my works, the potential iterations for doing so are limited only by imagination. Here she is wearing a crown of feathers (to mirror the bird metaphor) and is embraced by her rainbow tallit. Its colors symbolize the days of Creation. My Shekhinah also balances a crystal revealing the four elements (air, earth, fire and water) to represent the constant physical manifestations of Creation under divine auspices. Her cloven-hoofed ‘feet’ are a fanciful interpretation that is also drawn from Ezekiel’s vision.
If what we imagine gives us comfort, fosters doubt or amuses us, we can also learn how important it is to keep wondering and embellishing these ideas for generations to come.
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Please Note: Even if you are not a backer on this Kickstarter-funded project, you may still pre-order your copy (ies) of An Illumination Of Blessings and/or prints from its illustrations here: http://winnlederer.com/blessings/index.htm
Also, if you visit my Kickstarter page at: http://www.kickstarter.com/projects/1330347473/an-illumination-of-blessings you will see that the top reward level of your $500 contribution towards this project entitles you to have your name included on my Dedication page! This offer will stand until July 15, 2014 when I hope to have the book ready to go to press! You may contact me with your offer at: ilene@winnlederer.com.
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*Ezekiel 1:29
** divine energies that form and influence our fundamental reality and the spiritual state of our souls
***In the twilight, between the sixth day and the Sabbath, ten creations were, brought forth: the rainbow, invisible until Noah’s time; the manna; water springs, whence Israel drew water for his thirst in the desert; the writing upon the two tables of stone given at Sinai; the pen with which the writing was written; the two tables themselves; the mouth of Balaam’s she-ass; the grave of Moses; the cave in which Moses and Elijah dwelt; and the rod of Aaron, with its blossoms and its ripe almonds.” -Louis Ginzberg, Legends of the Bible p.44
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Looking Backwards To See Forward
March 17, 2020The idea that history repeats itself is not a new one, except when its lessons come back to bite us. So I suppose we shouldn’t be surprised at the rapid rise of the current coronavirus. Sure, we’ve all had our fill of constant media fear-mongering mixed with coping advice and though I don’t wish to downplay its seriousness, I have been particularly concerned because of late, a strong childhood memory has been haunting me…
As a child, I was made sharply aware that other children I knew had grandparents because my own maternal grandmother had been gone for a very long time. As a young, newly arrived Eastern European immigrant, she had been one of the millions of victims of the 1918 influenza epidemic or Spanish flu.
Although my grandfather had soon remarried, I was told that his new wife had treated my three-year old mother and her older brother cruelly. They were then brought up by my great aunt. Bitter at having no children of her own, she loved them in her own way but mostly tolerated them out of a sense of duty.
I remember being sad much of the time at having no close, extended family because although my paternal grandparents were still living, I had little physical contact with them due to other family dysfunctional relationships beyond my control at the time. Still, there are times that I imagine hearing their voices arguing or cursing in Yiddish at each other and times when I can hear their softer tones expressing worry and affection.
Nevertheless, my brief experiences with those generations were surely part of the alchemy of who I’ve become whether through the mystery of memory or genetics.
Now that I am grandmother, those early memories have become more relevant since I am squarely within the demographics of those most vulnerable to Covid-19. With my own history of respiratory ailments and our grandson in pre-school, my husband and I have spent much of the past several months fighting off a repeating cycle of common colds courtesy of that pre-school environment.
Even as age brings a certain acceptance of so much that is beyond our control, particularly illnesses put in our path by global events, I find that it is also important to search for spirituality, humor, positivity and beauty in our lives and allow it to mitigate these concerns. Accordingly, I’ve just published my new book, ‘A Visual Amidah: An Essence Of Prayers & Blessings‘. The Amidah is my visual interpretation of the set of 19 prayers and blessings that form the core of the Jewish worship liturgy.
The book includes an artist’s preface, a brief history of The Amidah and artist’s notes on the intent of each prayer and blessing with explanations of the imagery chosen for each. Size: 8 x 10 inches Price: $36.00 To Order Your Signed Copy, visit: http://magiceyegallery.com/BookPage.aspx?id=1011
The book cover is shown below and the illustration shown above accompanies the ‘Elokai Netzor’, a prayer offered at the conclusion of the three-times daily recitation of the Amidah. In it, an ethereal angelic messenger reveals the dual nature of our choices for speech and behavior with the Hebrew letter ‘peh’ (which translates as ‘mouth’) and a mirror image of itself. The ‘peh’ at the right represents ‘loshen ha-ra (evil speech that may lead to evil actions) while the ‘peh’ on the left represents ‘loshen ha-tov’ (good speech that may lead to good deeds). The presence of the messenger indicates that all words have consequence since G–d hears, feels and responds to the effects of both. I wish you all good health and safe passage through these perilous times. Take care!
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