Ilene Winn-Lederer, a native of Chicago, attended The Art Institute of Chicago and The Chicago Academy of Fine Arts. She currently resides in Pittsburgh, creating original imagery that navigates the delicate bridge between the mundane and mystical theaters of human experience. A member of the Pittsburgh Society of Illustrators, Winn-Lederer’s clients include The New York Times, The Wall Street Journal, Hadassah, NY., Lilith Magazine, Children’s Television Workshop, Scholastic, Charlesbridge Publishers, Simon & Schuster and Cricket Magazine. Her unique drawings and paintings are included in public and private collections throughout the United States and Europe. The Magic Eye Gallery at www.magiceyegallery.com showcases original works and custom
gicleé prints with a wink from her mind’s eye…
The Timeless Theatre of Passover
April 17, 2011While it serves as a seasonal religious cornerstone with its complex preparations and formalized recitations, the Passover Seder is, at heart, a metaphor of remembrance. Though the interpretations and translations have varied with social and political considerations in each generation since the original event described in the Book of Exodus, I find it interesting that the Hebrew text remains the same. There are some things you just don’t mess with. But when it comes to pictures, the Haggadah is one of the few texts in the Jewish tradition that permit, even encourage vivid visual accompaniments. So when it came to illustrating Parashat Bo in Exodus, I chose to portray the seder as set elements in a stage play surrounding two matzo bakers whose story is timeless theatre brought to life each year.
Between Heaven & Earth: An Illuminated Torah Commentary (Pomegranate, 2009) may be purchased here: http://www.pomegranate.com/a166.html or here: Amazon: http://bit.ly/gRhg0g
Tags:Bible, Books, charoses, commandments, Commentary, digital art, Exodus, Illustration, imagination, ink drawing, Jewish Art, Judaica, matzo, Old Testament, parashah, seder, seder plate, Shemot, shmurah matzo, Torah
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