Posts Tagged ‘Books’

Update #7: Notes From London: Above & Below-At The Crossroads…

May 11, 2015

Today, on Mother’s Day, I remember mine with fondness and one of the many bits of wisdom she imparted to me in my artistic endeavors which I paraphrase here: When you undertake a task, do it with all you’ve got and whatever the outcome, don’t be discouraged; every perceived roadblock only means you are facing a door that will lead you somewhere new and unexpected. So, having received my official sign-off note from Kickstarter, it is with a mix of sadness and relief colored with hope that this will be the final update for this project before we move on to its next phase.

Although I didn’t reach my stated goal at Kickstarter, I don’t intend this to be the end of the road for Notes From London: Above & Below. But first, here is something I’d like to share with you.

The Kickstarter experience is both exciting and terrifying. Exciting for the opportunity to learn the new skills necessary to present and promote a project like this, yet terrifying for someone like me who, for the most part, thrives in the comfort zone of my studio and quakes at the idea of putting myself out there in the meleé of thousands of projects all vying for financial support. When anxiety comes to sit on my shoulder like some hyperactive raven, I find myself thinking “What if nobody likes this?” or “What if I work really hard but still don’t make it?” At times, it’s almost enough to put the kibosh on the whole thing. Yet, that saner, optimistic part of me usually comes to the rescue reminding me that I walked into this knowing that despite all my hard work, failure is always a possibility but not necessarily an option.

That said, I want to thank all of you who pledged your support this time around. Knowing that you all appreciate my work and understand my dedication to crafting unique content and high quality art and books makes it easy to carry on from this point.

Because Notes From London: Above & Below has been press-ready since this campaign began, I have decided to complete publishing arrangements for it and release a modest limited edition of the book within the next few weeks. Remember that your pledges will not be charged to your credit cards now that the campaign has concluded. Instead, you may pre-order your copy at this link:  http://magiceyegallery.com/PicturePage.aspx?id=1370

Each copy is on offer for US$30 + shipping worldwide. If you have any questions, please contact me at: ilene@winnlederer.com. Again, I thank you for your confidence in my work and I’m looking forward to sharing Notes From London: Above & Below with all of you!

Update #5: Notes From London: Above & Below: Miracle?

May 5, 2015

If material miracles are possible, then this campaign for Notes From London: Above & Below,at 5 days left to go and funded at just 22% of its 3,000 goal will certainly need one- if it is to become a book you can hold and enjoy for years to come. And If you are a latecomer to this campaign, then by all means, do visit this link and lend your support!

https://www.kickstarter.com/projects/1330347473/notes-from-london-above-and-below

As a professional writer and illustrator, I am also a realist who agrees with Israel’s former Prime Minister David Ben Gurion when he said, “...in order to be a realist you must believe in miracles”. I say this because many strange things have happened both over my personal life and career; unexpected meetings that led to connections with people that led to certain important tasks and outcomes that I’ve only come to understand in retrospect. While it’s not quite over, the trajectory of this project is one of them. And I feel certain that it will become a stepping stone to an event or project yet to find me.  That said, Albert Einstein provided the perfect segué to Mr. Ben Gurion’s comment: “There are two ways to live: you can live as if nothing is a miracle; or you can live as if everything is a miracle”. And the latter is exactly what I plan to do, since hope is the essential catalyst in all human endeavor.

There is one final update to this campaign that will be posted at its conclusion on May 10 after 3:20PM. Until then, here is one more illustration from Notes From London: Above & Below for your consideration. It is my interpretation of the famed Lewis Chess set, now divided between the National Museum of Scotland and The British Museum. I’ve chosen to present this image now because I’ve long been intrigued by the idea of chess as a game, not unlike the Kickstarter business model, whose rules and roots lie beneath the workings of our world:

LewisChessmen

An Illumination Of Blessings Is For Real!

September 22, 2014

Dear Backers of An Illumination Of Blessings:

As of this past Monday, September 15th, I am pleased to announce that with your generous support and encouragement, this Kickstarter project is done and delivered! It’s been a wonderfully challenging year and a half of research, writing, design and illustration for these 36 illuminated blessings including the  interactions with all of you throughout the process. Recently, I’ve been asked whether another edition of blessings will follow to bring us closer to the originally intended count of 100. Perhaps, if there are a significant number of requests for it. But for the moment a bit of recovery is in order as I contemplate a short list of options (which include both Judaic and secular themes) for my next project. Your questions and suggestions are welcome!  Again, thank you all from the bottomless-ness of my creative well: I look forward to continuing our creative conversations and collaborations!

Ilene Winn-Lederer, September 18, 2014

From Day Into Night: The Wisdom Of Perception

March 9, 2014

ImageOrdinarily, I like to deny subscribing to coincidence, but I must stand corrected on account of this week’s installment from An Illumination Of Blessings.

Anyone of middle-age and beyond will readily admit that as we age, time seems to pass more quickly, yet we only recognize that deceptive phenomenon in retrospect.

Last week, when I chose to begin work on this blessing for the wisdom to distinguish day from night it did not immediately occur to me that coincidentally, we were about to begin the ‘spring ahead and fall behind’ cycle for one hour semi-annually in the parlance of daylight saving time.

Today, it began around 2AM this morning and though I can always feel the transition instinctually, the fact of it never fails to take me by surprise.

This tradition began centuries ago as an informal observance of the Earth’s rotation in relation to the effects of the sun and moon cycles on agriculture, lifestyle and human productivity. It became progressively codified and enforced well into the twentieth century but today, there are groups advocating for its eradication in the interest of simplifying travel, scheduling, commerce and environmental conservation. The latter justification is ironic considering that daylight saving time was initially instituted as an energy saving measure!

However, since daylight saving time may have derived from our ability to distinguish and contemplate the differences between day and night, it is only marginally related to today’s blessing essay. So to learn more about it, you can find a detailed history of daylight saving time and the arguments against it at: Wikipedia: http://en.wikipedia.org/wiki/Daylight_saving_time and at: http://www.standardtime.com/proposal.html.

As for the blessing itself, you might notice a tiny rooster perched on the roof of the medieval-style house in my illustration. This refers to the blessing’s original title, ‘The Wisdom of the Rooster’. It is unique among the many we have for expressing appreciation for our physical, mental and environmental gifts. Why? Because instead of thanking our Creator for our own ability to distinguish between day and night, we offer praise for “giving the rooster understanding to distinguish between day and night.” Rabbi Michael Gourarie* explains:

“Although a rooster crows at the beginning of each day it actually happens some time before it gets light. When it senses that dawn will break soon, and light is on the way to substitute for the darkness, he emits the crowing noise that became the ancient alarm clock.

In every day there are periods of light – clarity, blessing, peace of mind and prosperity; but there are also sometimes patches of darkness – challenge, confusion and difficulty. It takes special strength not to be caught up in the moments of challenge. It takes maturity to look beyond the darkness and see the light that awaits us. A wise person learns from the rooster. He/she knows that the darkness is only temporary and that light is on the way. The rooster is symbolic of an attitude filled with optimism, hope and belief. The rooster teaches us to envisage and celebrate blessing even before it comes.”

In addition to the rooster, the other elements in my illustration are arranged around a sort of cosmic hourglass. Suspended within their separate spheres, our sun and moon are poised to reverse their positions in a dance designed at the time of Creation. I wanted to symbolize our understanding of these celestial bodies with regard to our environment and our lives (trees and houses) by placing them within a man-made timekeeping device. The sprinkle of stars that inspired the signs of the Zodiac on the hourglass are there to remind us that while our acquired knowledge is of great value, the light of that value darkens without the wonder and faith that guide it.

*http://shiratdevorah.blogspot.com/2011/08/wisdom-of- rooster.html

Codex Gastropoda #7: Between The Pages Of Reality

January 14, 2013

Codex Gastropoda: #7

Codex Gastropoda: #7

Yesterday afternoon, in appreciation of an unseasonably warm January day, my better half and I went for a walk on Pittsburgh’s South Side. Heading east on Carson Street past a barrage of  bars and nightclubs led us to City Books, a venerable remnant of Pittsburgh’s once lively independent bookstore market. Inside the old shop, a wrought iron spiral staircase punctuates two levels of floor-to-ceiling wooden bookshelves whose old and rare inhabitants speak volumes on an array of subjects that include philosophy, art, science, math, history, foreign languages and vintage fiction for adults and children. A little schmooze with the owner, Edward Gelblum and his elegant assistant whose name I did not learn, was intriguing enough to provoke my tentative climb up the spiral staircase to inspect their impressive philosophy, science, foreign language and Judaica collections.

Their intimate knowledge of such collections within this timeless, musty ambience reminded me of an Imaginarius post of December 19, 2010, written upon completing the third drawing in my Codex Gastropoda series, ‘The Unbearable Slowness of Reading’. You can access that post here:https://imaginarius13.wordpress.com/2010/12/19/codex-gastropoda-3the-unbearable-slowness-of-reading/

During this little reminiscence, which inspired the new drawing above, I began to think beyond the act of reading; beyond the physical properties of books to their metaphysical attributes. Does their power to manipulate our minds and hearts come from our literal interpretation of the words, from the images they may contain, or from the associations and ideas inherent in both? Despite the proliferation of electronic media, there is a magnetic attraction to words and images on paper that I can’t trivialize as a mere Luddite denial of technological reality.

Though the written word bound in book form has been likened to ‘conversations with great minds,’ etc., I wonder whether books can be more accurately perceived as vessels made to contain the power of alternate realities? Does encoding these realities in language and 2D images make them more approachable? It seems to me that even if these ‘realities’ could be experienced directly with all ‘six’ of our senses as the human modus operandi, we would still be overwhelmed. The ‘arcane’ technology that enables cinematic ‘reality’ via animation/CGI effects has brought us closer to a total sensory experience. Even so, marvelous as it is to watch movies like ‘Avatar’ or ‘Lord of the Rings’ , we are served generous helpings of the detailed, brilliant imagination of others with little left for our own to play with. Maybe this is why the power of books to evoke and provoke our own emotions and memories remains its own distinctive experience. It is also why I think that bookstores will never disappear completely; despite the fact that the majority of Mr. Gelblum’s sales originate online. Just as great food deserves to be presented beautifully in a warm and welcoming environment,  so does a warm and inviting shop remain necessary to contain and disseminate the literary treasures that continue to define us.

Note: Codex Gastropoda #7 is available as a gicleé print at: http://www.magiceyegallery.com

A Transparency Of Time

November 4, 2011

This latest drawing from my ‘Notes From The London Underground’ series emerged from a journal sketch of a ‘neo-medieval’ young woman in her ‘urban armor’ traveling on the 343 bus from Southwark to Elephant & Castle in London. Though she is not technically on the ‘Tube’, I’m expanding the series to include observations from other means of transport. I particularly liked seeing the variety of colorful upholstery on both tube and bus. I later learned that the ‘DNA-esque’ moquette pattern called ‘Chevron’  shown here is one of a series designed in 1938 by Enid Marx for the London Passenger Transport Board. As I studied the young woman’s hyperbolic knit beanie, the image of a medieval Flemish portrait flashed to mind and I realized that although London is situated on an isle separated from ‘The Continent’ by the English Channel, its cultural identity is a pastiche of pan-European and global sensibilities unfettered by the constructs of time…

Review & Preview:The Magic Eye Gallery!

October 3, 2011

“Your house is your larger body. It grows in the sun and sleeps in the stillness of the night; and it is not dreamless. Does not your house dream?”   -Kahlil Gibran, The Prophet, 1923

I have always remembered that quotation and have taken it both figuratively and literally; particularly this past summer. As our house was being cleaned, painted and updated, I was compelled to take stock of my studio, the overstuffed repository of my 40+ year career as an illustrator, artist and writer. Which is not to say I am retiring (Heaven forbid!); just re-setting my stage for future developments. So, I am excited to announce that I now have a new web presence: Ilene Winn-Lederer’s Magic Eye Gallery! Here you will find many original prints, paintings and drawings, both framed and unframed that can be purchased via PayPal and shipped anywhere in the US and Canada. International shipping arrangement are in progress and will be available soon.  The link is: www.magiceyegallery.com. I look forward to your comments and questions!

Words, Promises And Protean Realities

July 20, 2011

While divine utterances are said to be the foundation of Creation, it was only when Adam became tasked with creating names for the animals in Eden that humanity had its first opportunity to wield the power of words, thereby codifying the measure of their appearance and behavior. (Folk singer Bob Dylan wrote a charming ditty on this theme which occasionally surfaces when I am sketching at the zoo.) But this entry is less about Adam and his animals than about our increasingly casual misuse of the power of words in our Age of Infoglut. In Mattot, this week’s Torah portion, we are reminded of the potence of our verbal expressions and their ability to alter our perceptions and the nature of our current reality.  An earlier post, on July 8, 2010 presented my interpretation of this parashah with the illustration that appears on the left-hand side of the spread. Today, you can see the facing image, titled ‘Properties And Promises’. Here are the leaders of the tribes of Reuben, Gad,and the half-tribe of Manasseh (son of Joseph), standing on the portions of land they requested from Moses after the war against Midian. Observing that these particular territories, though outside the boundaries of the Promised Land, would provide abundant supprt for their great numbers of livestock, they sheepishly added that their children would benefit from the security of the towns they would build there. Recalling the near-disaster of the meraglim (the ten scouts and their horror stories of Canaan), Moses expressed vehement concern that these tribes would influence the rest of the Israelites to settle elsewhere as well. Yet he granted their request under two conditions: these tribes must commit to serving as shock troops for the defense of Israel in their conquest of the Promised Land and must prioritize building towns for their families ahead of facilities for their flocks and herds. The object suspended above the middle figure, whose hand is raised in an oath, is a ner tamid (eternal light). A familiar presence in every synagogue, this lamp is never permitted to be extinguished for it symbolizes the eternal presence of G-d, Who hears our promises.

Perhaps, in the light of the current British tabloid scandal, Mr. Murdoch and his minions would do well to revisit  and contemplate this bit of Bible lore. As my beloved paternal grandmother once observed: “Once the words  are out of your mouth (or in print!), you don’t own them anymore.”

This excerpt is from my book, Between Heaven & Earth: An Illuminated Torah Commentary (Pomegranate, 2009) which can be purchased directly from the publisher, http://www.pomegranate.com/a166.html or from Amazon,  amzn.to/gZSp5j where you will find several reviews.

Dreams and Nightmares: The Foundation of Faith

June 17, 2011

Parashah Shelakh-Lekha, one of the best-known episodes in the Book of Numbers, concerns the twelve scouts, or spies, sent ahead of the Israelite camp to appraise the nature of the Promised Land. It is often compared to the Golden Calf incident of Exodus, in that both events were tests of the Israelites’ faith and trust in G-d, their leaders and themselves. When the expedition returned, ten of the men dramatically exaggerated what they had seen, in an attempt to discourage the Israelites from accepting their territorial inheritance. “We looked like grasshoppers to ourselves and so we must have looked to them.” In the left-hand illustration, the small hybrid grasshopper-man addresses the terror and trepidation the scouts disseminated. Perhaps, they calculated, their negative report would ensure positions of power for themselves among the people instead of encouraging the people to act with faith in G-d and in their own abilities? I have given this creature a tattoo in the shape of the Hebrew letter ‘mem’ whose numerical equivalent is forty because this incident doomed the Israelites to wander in the desert for forty years until a new generation arose that would be spiritually prepared to realize its divine inheritance.

The symbols that comprise these illustrations each tell stories of their own that are too lengthy to include here. They can be found on page 169 in the AfterImages portion of my  book, Between Heaven & Earth: An Illuminated Torah Commentary (Pomegranate, 2009) It can be purchased directly from the publisher, http://www.pomegranate.com/a166.html or from Amazon,  amzn.to/gZSp5j where you will find several reviews.

I welcome your comments and questions here at Imaginarius and will do my best to respond. Wishing you a thoughtful Sabbath and weekend…

The Ink Of Imagination 2: Pendemonium

May 26, 2011

After posting my penpoint alphabet ‘Kalligraphie‘ last week, I decided to try designing an alphabet that would continue the penpoint theme, but flow more gracefully in accordance with the nature of pen script. And so, unable to resist the pun, Pendemonium happened…

Note: While neither Kalligraphie or Pendemonium would easily work as fonts, I can set up a custom headline or apply these letterforms to whatever your imagination cooks up!