As of this past Monday, September 15th, I am pleased to announce that with your generous support and encouragement, this Kickstarter project is done and delivered! It’s been a wonderfully challenging year and a half of research, writing, design and illustration for these 36 illuminated blessings including the interactions with all of you throughout the process.Recently, I’ve been asked whether another edition of blessings will follow to bring us closer to the originally intended count of 100. Perhaps, if there are a significant number of requests for it. But for the moment a bit of recovery is in order as I contemplate a short list of options (which include both Judaic and secular themes) for my next project. Your questions and suggestions are welcome! Again, thank you allfrom the bottomless-ness of my creative well: I look forward to continuing our creative conversations and collaborations!
On average, we spare little daily thought for the sun other than to its perceived influence on the esthetics of the next twenty-four hours. It is, therefore, we are. End of story.
But since the sun’s first appearance in the skies on the fourth day of Creation, according to the Torah (Book of Bereshis/Genesis), this story is not one with an ending; it is punctuated with the myths and folklore of every human culture from the beginning of recorded time and perpetuated across generations in forms apropos to each telling.
These tales comprise a portion of the collective effort to comprehend our origins amidst our mercurial environment, the relentless cycle of the seasons and our place in the cosmos. They are an amalgam of sincere theological speculation, intriguing scientific discovery with some millennial fear-mongering thrown in for spice.
In tribute to this timeless portrait of human curiosity, I’ve chosen to include a rare Jewish blessing for witnessing natural phenomena in my book, An Illumination Of Blessings.
The Birkat Ha-Chamah or Blessing of the Sun is rare because it is recited only once every twenty-eight years, most recently in April of 2009. It is not to be found in standard prayer books; rather, it is distributed to participants at each recitation ceremony. The blessing dates back to Talmudic times (first century AD) when the rabbis, wishing to acknowledge the sun’s importance to life on Earth without inviting idolatry, addressed the star theologically without attributing divinity to it.
According to rabbinical opinion in the Babylonian Talmud, the blessing is to be recited every twenty-eight years on the vernal equinox* to commemorate the sun’s return to its original position (relative to the Earth) on the fourth day of Creation when it is fully visible above the horizon at dawn. They taught: “One who sees the sun at the beginning of its cycle…recites: ‘Blessed is the One Who made the Creation’.” (Tractate Berachot 59b)
My illustration for this blessing is set in medieval Europe when rabbi-scholars like Maimonides (the Rambam) and Samuel ben Judah ibn Tibbon engaged in lively discussions of Torah and Talmud, codifying their opinions for future generations.
On a grassy hillside against the backdrop of a castle fortress-town, a prayer shawl (tallit) clad man and his son are awaiting the full sunrise as they imagine a vignette of the fourth day of Creation framed within an astrolabe. The hand-shaped (hamsa) device from which the astrolabe is suspended is meant to represent the idea that its five fingers remind us to use our five senses to praise G-d. The hamsa is also referred to as the Hand of Miriam in remembrance of her as sister to Moses and Aaron.** The boy holds a ram’s horn (shofar), which will be sounded when the sun has risen.
This image was suggested by the Birkat Ha-Chamah ceremony of April 8, 1981, led by Rabbi Zalman Schachter-Shalomi who stood on the observation deck of the Empire State Building in New York and sounded the shofar amidst a crowd of 300 participants.
I think, perhaps, this is how we might understand our place in the cosmos. As witnesses to the wonders of created life, that is a dance of chaos and order, we are privileged to question it, but are never to know all the answers or the end of the story; at least, not yet.
* Why every twenty-eight years? Although the sun rises and sets in the east and west respectively, its position shifts seasonally, moving to the north in summer and to the south in winter. The midpoints of this movement are the equinoxes which mark the autumn and spring seasons. To complete this cycle requires one solar year, the length of which varies by slightly more than a day in our calendar. So the rabbis calculated that when the equinoxes have moved forward exactly thirty-five days, they will occur on the same day and hour as on the first hour of the fourth day of Creation.
** Some of you may wonder why I have not included a woman in this ceremony. This is because the Birkat Ha-Chamah is a time-based mitzvah (commandment) which women are exempt from observing. You can read more about this tradition here: https://www.jewishvirtuallibrary.org/jsource/Judaism/woman_commandments.html Nevertheless, the Hand of Miriam attached to the astrolabe represents their spiritual presence.
On the eve of the Pesach/Passover holiday, which begins a time of reflection and renewal of purpose, this blessing for a new endeavor completes the Journeys portion of AnIllumination Of Blessings and seems appropriate for today’s Imaginarius post.
While the Passover holiday represents an epic physical and spiritual journey in the history of the Jewish people, I like to view each new endeavor that we undertake, regardless of magnitude, as a microcosm of it. As such, it can be seen as a journey of sorts, independent of whether we leave our homes, workplaces or travel outside of our comfort zones to accomplish something new to our experiences.
Whether we are creating a work of literature, art, music or science, I believe that we are not doing this solely of our own volition, but in a sort of partnership with a larger intelligence that requires it of us. Perhaps this ‘larger’ intelligence is a numinous, spiritual entity or the multifaceted imaginings of all of the ‘threads’ in the larger human tapestry. Either way, our endeavors in sum make each of us a significant thread in that tapestry; an entity alive with potential.
Illuminating this blessing is my representation of the artist/artisan Bezalel in the process of imagining the works he will design for the Mishkan/Tabernacle in the desert. According to the instructions of Moses, who received them at Mt. Sinai, he is to build a structure and ritual implements that will mirror their heavenly counterparts. I have shown him reaching towards the letters of a suspended, spinning pre-Canaanite Hebrew alphabet in a symbolic tribute to his relationship with the Creator in this endeavor and to their mystical role via the techniques of permutation in the creation of the world.
One of these ritual objects is the Ark of the Covenant which will reside within the Holy of Holies (the sacred sanctuary portion of the Tabernacle) that only the High Priest is permitted to enter on Yom Kippur (Day of Atonement). It will support the two keruvim/cherubim to protect the Tablets of the Law, Aaron’s blossoming staff and a jar of manna. Bezalel’s plans for the Ark appear on the papyrus scroll in the foreground along with the Egyptian-influenced ink palettes and drawing tools that he might have used. Some of these tools are also seen in the pocket of the artisan’s work apron. On the vertical loom behind him is the tapestry with representations of the keruvim that will become the parochet or veil guarding the Ark. Although no one other than the High Priest is permitted to enter the Holy of Holies, the veil is meant to provide a virtual glimpse of its guardians to the congregation of worshippers.
This image of Bezalel is one of several I have developed as part of my ongoing exploration and understanding of the Second Commandment (the prohibition against creating graven images) as it affects creative artists. Other versions and essays may be found at:
As the sun sets and the Passover seders begin, there is much to consider about the holiness of even the most mundane aspects of this holiday, by each endeavor that we undertake and how these contribute to life’s larger experience for each of us. By understanding that what we create for our own needs and pleasure can enlighten and benefit others, we acknowledge and thank the One Who created us for the realities we continually create together.
Here’s to a healthy, happy and creative Passover holiday for all.
When we enter or leave a space through a doorway, most of us rarely wonder about the evanescent consequences of doing so. Yet, without considering that doorway as a bridge between worlds, we remain unaware of subtle changes in ourselves with relation to those worlds through the nature of our experiences on either side of it. In that sense, mezuzot (plural ofmezuzah), those ubiquitous little boxes (attached to doorposts of traditional Jewish homes to guard them from harm) serve as memory tools for our awareness of these transitions and of the eternal unity of G-d. This tradition has defined the Jewish people since the early Israelites marked their doorways for protection from the tenth plague* during the first Passover in Egypt over three thousand years ago.
Mezuzot are made in various sizes of materials from clay to wood, metal or glass and are often beautifully crafted works of art. Marked with either the single Hebrew letter shin or with the three Hebrew letters shin, dalet, yud that represent one G-d’s holy names, the box encloses a tiny rolled parchment (klaf) inscribed by a kosher scribe (sofer*) with two verses from the Torah; Deuteronomy (Devarim) 6:4-9 and 11:13-21. These verses are written in 22 equally spaced lines, as are the verses in Torah and tefillin**. This parchment must be placed upright under the Hebrew letters in the box so that the prayer will appear correctly.
When we occupy a new home, a mezuzah is installed on its doorpost. It is held in place at the upper right-hand side tilted toward the inside of the home. But before it is secured to the post, a special blessing is recited, as shown in the illustration above. This procedure is repeated when a mezuzah is installed at each doorway in the home except for the bathroom. Entering and leaving those spaces is then acknowledged with a touch to the mezuzah followed by a brief kiss to the hand that touched it, invoking G-d’s blessing and protection on our comings and goings. It is important to know that over time, the parchment (klaf) may become damaged and so should be periodically examined by a sofer who can repair any broken letters and preserve its effectiveness.
But the protective energies of the mezuzah have not always gone unchallenged in Jewish history. In Talmudic times, mezuzot were attributed with powers to ward off evil spirits, but by the Middle Ages, under the influence of the Kabbalah’s esoteric knowledge, names of various angels and magickal phrases (sometimes accompanied by mystical diagrams) were added to the Torah verses. This latter practice slowly lost momentum when the RamBam (an acronym for the 12th century French Rabbi and Talmudist Rabbeinu Mosheh Ben Maimon) asserted that no harm could come of writing Hebrew letters on the outside of the mezuzah case and the prescribed verses within, but those who wrote angelic names or other formulae on the inside would lose their share in The World To Come (Olam Ha-Ba).
So, for this 17th entry in my book An Illumination Of Blessings, the mezuzah in my illustration displays the Hebrew letter shin on the outsideand only the Torah verses on the klaf within. For clarity and artistic intent the 22 klaf verses also appear in the background. The tiny gold pomegranate suspended from the mezuzah signifies abundance and its seeds, said to number 613, represent the categories of mitzvot or the commandments we are required to fulfill. For decorative purposes only, an equally tiny hand with an apotropaic eye crowns the mezuzah. This is called a chamsa, inspired by those ancient devices employed to ward off evil throughout the Middle East.
On a personal note, though I’ve always had mezuzot in my home, it was only some years ago during and after a health crisis that I thought to have them checked for damage. Indeed, the sofer informed me, several critical letters had become damaged and the klaf needed to be repaired, a pronouncement that caused chills to run down my spine..
At first glance, the blessing traditionally recited prior to reading the Torah appears to be merely a formal expression of respect for this foundational document of Judaism. But it’s much more. I’m including it in An Illumination Of Blessings because it is a way we can express our gratitude to the Source of Life for the opportunity of partaking in this sweet and savory feast for our minds, bodies and souls.
With this blessing, we honor the moment when Moses descended Mt Sinai with the divine gift of our ‘spiritual DNA’; a gift of timeless and inestimable value. I like to think about this gift in the metaphoric terms of information science, where data is transmitted to its destination via virtual electronic ‘packets’. Similarly, the Torah can be seen as a compilation of concise ‘packets’ of instructions for how to live and steward our planet embedded with the assurance that the Source of Life would bless us always; if and when we accepted them.
Extending this idea, we can think of each encounter with Torah as akin to meeting a person for the first time. Although we recognize that Hebrew is the language of Torah and that a person’s physical features define them as human, how do we account for our immediate physical and/or emotional reactions to them? It may be that Information and impressions are transmitted between individuals in virtual packets via a delivery method we do not yet understand or control. Only thought and time spent with that individual allow us to ‘unfold’ these ‘packets’ to understand our initial reactions and determine the character of that relationship. In the same way, the Torah reveals her meanings to us gradually through time and thoughtful study as we learn to see between her lines.
Perhaps the oddly-named scholar and convert to Judaism, Ben BagBag, quoted in Pirke Avot (Ethics of the Fathers) said it best: “Turn the Torah over and over for everything is in it. Look into it, grow old and worn over it, and never move away from it, for you will find no better portion than it.”
The Torah is masterwork of infinite, unfathomable depth; a virtual blueprint of Creation. Though we cannot fully decode its mysteries, it will always be there to keep our curiosity and questions alive and to help us maintain our dialogue with the Source of Life. Indeed, my five and a half year experience with Between Heaven&Earth: An Illuminated Torah Commentary (Pomegranate, 2009) was an exercise in humility, for I realized how very much there is yet to learn…
This week, the rare confluence of the Thanksgiving and Hanukkah holidays, each a unique tale of struggle, survival and miracles, has inspired me to present the Modeh Ani next for An Illumination OfBlessings. Here’s why: I’ve been thinking about the nature of miracles, how our perception of them has changed over time and the subtle reference to them in this blessing.
When we think of miracles, the big, cinema-worthy Biblical ones such as Noah’s postdiluvian rainbow, the parting of the Red (Reed) Sea in Exodus or the appearance of manna in the desert usually come to mind. Biblical history tells us that such phenomena mysteriously appeared to precipitate a great crisis or in the wake of one and were meant to induce our fear, obedience, humility and faith in G-d. But in the absence of such grand miracles since post-Biblical times and the influence of our scientific understanding of nature’s laws, it’s easy to imagine those reactions fading into memory. And as we live our mundane day-to-day lives, it’s easy to blink past the one ubiquitous miracle we cannot afford to take for granted; waking up each morning.
We’ve often heard of friends, family or celebrities going to bed one night and waking up dead. News of such a passing is especially unsettling when, like me, you are a contemporary of some one lately deceased in this manner, leaving no opportunity for closure either with loved ones or with unfinished tasks.
Of course, we can’t know the extent of our own timelines, nor would most of us wish to. Nevertheless, beginning each morning with a certain mindfulness can enable us to meet each day’s challenges with the physical and emotional strength needed to recognize and accomplish our goals. Certainly, there’s nothing new about this idea; such philosophies generously pepper myriad self-help books and motivational speaker’s scripts. Yet, a simple blessing like the Modeh Ani has both the spiritual and scientific chops to make it worthwhile learning and remembering.
The Modeh Ani was first composed as a Kabbalistic (mystical) invocation among the Sephardic Jewish community in the Seder Avodas Hayom attributed to the 16th century Rav Moshe ben Makhir of Tzfat (Safed), a contemporary of Rav Yosef Karo, the compiler of the code of Jewish law, The Shulchan Aruch (The Set Table). Soon after, the blessing appeared in a 1687 Ashkenazic prayerbook (siddur) called the Derech Yeshara. Uniquely, it makes no mention of G-d’s Name allowing its recitation immediately on awakening before relieving ourselves and washing our hands. According to halakhah (Jewish law), it is not permitted to pray with G-d’s Name before washing, so the prayer was composed as a compromise alluding to G-d’s Name but not actually saying it.
Recited each morning, the Modeh provides an opportunity to express our gratitude for the return of our soul to our bodies. Rationally, it can be said that we haven’t gone anywhere; that sleep is merely a restorative, physiological process, but that only begs the question: why were we given the ability to sleep in the first place?
The late Lubavitcher Rabbi succinctly commented on the process of soul (neshama) renewal as we sleep and its return to us when we wake (found @ chabad.org): “If we didn’t sleep, there would be no tomorrow. Life would be a single, seamless today. Our every thought and deed would be an outgrowth of all our previous thoughts and deeds. There would be no new beginnings in our lives, for the very concept of a new beginning would be alien to us. Sleep means that we have the capacity to not only improve but also transcend ourselves. To open a new chapter in life that is neither predicted nor enabled by what we did and{what we}were, up until now. {Sleep is necessary} to free ourselves of yesterday’s constraints and build a new, recreated self.”
I’ll close here with an apocryphal tale that you can take for what it’s worth. It addresses both the spiritual and physiological rationales of sleep. At an alleged 2008 international conference of neurologists, the main topic was the phenomenon of fainting when arising from sleep. A British professor presented a paper on her investigation of this issue, concluding that fainting is due to the rapid motion occurring between laying down and standing up. She pointed out that it takes twelve seconds for blood to reach the brain from our feet and when we stand up too quickly, that process is compromised causing one to faint. The professor suggested that one should sit up slowly, counting to twelve to avoid dizziness or fainting.
Her presentation was being received amidst much enthusiasm when another professor, an observant Jew, requested permission to speak. “Among Jews,” he began, “there is a traditional prayer called the Modeh Ani with which we express our thanks to the Creator of the World for permitting us to wake from sleep healthy and whole. It is recited while seated in bed immediately upon awakening. This prayer contains twelve words which takes exactly twelve seconds to say when done slowly and with sincerity.” The time, the audience’s enthusiastic response was quite likely directed at the Creator of the World…
The Seven Blessings, or Sheva Brachot are a lovely old tradition, each one recited under the Chuppah (Marriage Canopy) by chosen friends and family at Jewish weddings. The Seven Blessings begin with the blessing over wine (‘pri hagofen’) followed by praise and gratitude to the Source of Life for our creation, for our existence and for our ability to thrive through time. They also address the binding of the couple, wishing them a life of love, joy, peace and friendship from the Biblical perspective; that their union should mirror the happiness of the first couple in the Garden of Eden. Finally, the couple is made aware that as they rejoice in each other, their union will also bring joy to the world . Rabbi Aryeh Kaplan suggests that Jewish weddings reflect the giving of the Torah at Mt. Sinai symbolizing the wedding of Heaven and Earth.
For the eleventh blessing in my book, AnIllumination Of Blessings, I initially attempted to work all seven blessings into the illustration, however after further research and several iterations, I came to the conclusion that the seventh blessing really encompasses the other six and is therefore essential. This idea was suggested by an interpretation in Kabbalah which explains how each of the seven blessings corresponds to seven of the sefirot, or the energies that are the foundation of Creation.
Although there are actually ten sefirot, the interpretation posits that the three remaining sefirot do not correspond to their own blessings because two of them, Keter (Crown representing ethereal consciousness) and Chokhmah (representing Wisdom) are contained in the sefirah of Binah (Understanding) and the last one, Malkhut receives all of those above and before it. The Hebrew language in the Seventh Blessing also contains ten words or synonyms for happiness, peace and friendship, all of which lead to joy. In this sense, it corresponds to all ten sefirot as well as the ten phrases by which the world was created and the Ten Commandments given at Mt. Sinai. These ideas prompted me to place the letter Bet (for Binah) in the space above the Chuppah for these values must guide all that we do. The commentary at the end of the book will provide explanations of the symbols that appear in the illustration.
Shown above is the finished illumination for the Seven Blessings and below is one of the iterations.
As always, your comments and questions are welcome.
For the past three + years, I’ve been enjoying your visits and comments to my posts here at Imaginarius. And today I have some exciting news for you!
I’m pleased to announce the launch @Kickstarter of my new book project!
My book is called An Illumination Of Blessings and is now in progress as a unique visualization of 36 universal blessings. A chapter of commentary will be included to provide perspective on the evolution of my images. In the spirit of my recent book, Between Heaven&Earth: An Illuminated Torah Commentary which interprets the Five Books of Moses in a new light, AnIlluminationOf Blessings will be like no other book of blessings you’ve ever seen.
You can see why at this link to my Kickstarterpage where a little video will tell you about my creative and funding goals for this project. You can also select from my gifts to you in exchange for your help in supporting my efforts:
I’ll be posting updates to the progress of this project at Kickstarter, at Facebook, and here at Imaginarius. Your questions and comments are invited and welcome!
I look forward to hearing from you and working together to make An Illumination Of Blessings my artistic legacy for your family and friends for generations to come.
With Warm Wishes for Peace And Blessings, Ilene Winn-Lederer/Imaginarius
Ilene Winn-Lederer, a native of Chicago, attended The Art Institute of Chicago and The Chicago Academy of Fine Arts. She currently resides in Pittsburgh, creating original imagery that navigates the delicate bridge between the mundane and mystical theaters of human experience. A member of the Pittsburgh Society of Illustrators, Winn-Lederer’s clients include The New York Times, The Wall Street Journal, Hadassah, NY., Lilith Magazine, Children’s Television Workshop, Scholastic, Charlesbridge Publishers, Simon & Schuster and Cricket Magazine. Her unique drawings and paintings are included in public and private collections throughout the United States and Europe. The Magic Eye Gallery at www.magiceyegallery.com showcases original works and custom
gicleé prints with a wink from her mind’s eye…
imaginarius13.wordpress.com 
Mezuzah: A Blessing Between Worlds
December 25, 2013Mezuzot are made in various sizes of materials from clay to wood, metal or glass and are often beautifully crafted works of art. Marked with either the single Hebrew letter shin or with the three Hebrew letters shin, dalet, yud that represent one G-d’s holy names, the box encloses a tiny rolled parchment (klaf) inscribed by a kosher scribe (sofer*) with two verses from the Torah; Deuteronomy (Devarim) 6:4-9 and 11:13-21. These verses are written in 22 equally spaced lines, as are the verses in Torah and tefillin**. This parchment must be placed upright under the Hebrew letters in the box so that the prayer will appear correctly.
When we occupy a new home, a mezuzah is installed on its doorpost. It is held in place at the upper right-hand side tilted toward the inside of the home. But before it is secured to the post, a special blessing is recited, as shown in the illustration above. This procedure is repeated when a mezuzah is installed at each doorway in the home except for the bathroom. Entering and leaving those spaces is then acknowledged with a touch to the mezuzah followed by a brief kiss to the hand that touched it, invoking G-d’s blessing and protection on our comings and goings. It is important to know that over time, the parchment (klaf) may become damaged and so should be periodically examined by a sofer who can repair any broken letters and preserve its effectiveness.
But the protective energies of the mezuzah have not always gone unchallenged in Jewish history. In Talmudic times, mezuzot were attributed with powers to ward off evil spirits, but by the Middle Ages, under the influence of the Kabbalah’s esoteric knowledge, names of various angels and magickal phrases (sometimes accompanied by mystical diagrams) were added to the Torah verses. This latter practice slowly lost momentum when the RamBam (an acronym for the 12th century French Rabbi and Talmudist Rabbeinu Mosheh Ben Maimon) asserted that no harm could come of writing Hebrew letters on the outside of the mezuzah case and the prescribed verses within, but those who wrote angelic names or other formulae on the inside would lose their share in The World To Come (Olam Ha-Ba).
So, for this 17th entry in my book An Illumination Of Blessings, the mezuzah in my illustration displays the Hebrew letter shin on the outside and only the Torah verses on the klaf within. For clarity and artistic intent the 22 klaf verses also appear in the background. The tiny gold pomegranate suspended from the mezuzah signifies abundance and its seeds, said to number 613, represent the categories of mitzvot or the commandments we are required to fulfill. For decorative purposes only, an equally tiny hand with an apotropaic eye crowns the mezuzah. This is called a chamsa, inspired by those ancient devices employed to ward off evil throughout the Middle East.
On a personal note, though I’ve always had mezuzot in my home, it was only some years ago during and after a health crisis that I thought to have them checked for damage. Indeed, the sofer informed me, several critical letters had become damaged and the klaf needed to be repaired, a pronouncement that caused chills to run down my spine..
* Death of the Firstborn
*A sofer is a Jewish individual who is educated to transcribe Torah scrolls, **tefillin (two small leather boxes essential for prayer rituals per commandments in Deuteronomy (Devarim) 6:8 and mezuzot. More detailed information may be found at: http://en.wikipedia.org/wiki/Sofer and at: http://www.jewishencyclopedia.com/articles/10774-mezuzah
Tags:An Illumination of Blessings, blessing, commandments, Commentary, Deuteronomy, Devarim, digital art, Exodus, Hebrew, Hebrew calligraphy, Hebrew letters, israel, Judaica, Kabbalah, klaf, mezuzah, pomegranate, religion, scribe, sofer, theology, Torah
Posted in Imaginarius Updates | Leave a Comment »