The arrival of a new baby universally inspires joyful celebrations for the parents and community with festivities unique to every ethnicity and religion. In addition to an array of rituals and special foods, these festivities are marked by prayers and blessings offered to The Source of Life for the divine protection, good health and honor of this child.
However, because the essence of these events is the wondrous fact of a new life; an entirely new world of hopes and dreams, in the form of a tiny human being, I wanted to illuminate this blessing for a new baby to emphasize this idea alone. This would mean limiting my choices of traditional Jewish iconography that normally characterize my work. Since this cultural iconography often contains wonderful folkloric themes such as fanciful astrological imagery to promote ‘mazal tov’ or good luck, this was quite a challenge for me as an illustrator; I am accustomed to crafting my images with much narrative detail.*
Nevertheless, I determined that in addition to the sleeping newborn child and colorful daffodils (which signify rebirth and new beginnings), I would limit my choice of iconography to the wimpel (or vimpel). This is a banner-like length of cloth that is wrapped and tied to secure the Torah scroll.
According to Philologos writing in the Jewish Daily Forward, “it is a tradition that began in late medieval times in the Rhineland city of Mainz, where the rabbi was then the renowned Ya’akov Segal (1360–1427). One Sabbath, so the story goes, a circumcision was under way in Mainz’s synagogue, when it was discovered that the mohel (an individual especially trained to perform this ritual)had forgotten to bring a diaper in which to wrap the newly circumcised child. Inasmuch as carrying was forbidden to pious Jews on the Sabbath, there could be no question of sending anyone to fetch one — and so the rabbi ordered the child swaddled in an avnet that was removed from a Torah scroll. Afterward, when asked if it could be laundered and used as an avnet again, he ruled that it could be, inasmuch as it had not been profaned but had merely gone from one sacred use to another. In memory of the event, the Jews of Mainz took to donating the swaddling cloths from their circumcisions for avnetim, which they called Wimpel (the German plural is the same as the singular).” Instead of the customary decorative imagery applied to wimpels by families who donate them to the synagogue, mine simply displays two Hebrew prayers, one traditional and one modern.
Independent of its ethnicity or religious identity, the birth of a child begins a new page in the story of humanity. With this child, we have a new window into the mind and heart of the One whose children we will always be and Who will always cherish us.
*In my previous book, Between Heaven & Earth: An Illuminated Torah Commentary (Pomegranate, 2009), both the brit milah (circumcision for male children) and the pidyon-ha-ben (redemption of the firstborn son of descendants of the Tribe of Levi) were presented in detail. (I did not present the brit bat ceremony for the birth of a daughter in this context because these celebrations were developed in post-modern times, long after the writing of the Torah.)
Tags: avnet, birth, blessing, bris, Calligraphy, child, daffodil, generations, Germany, Hebrew calligraphy, infant, Jewish Art, Jews, Mainz, mazal tov, newborn, Philologos, pidyon ha-ben, rebirth, swadding cloth, Torah, vimpel, wimpel